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Founded in October of 2017, Boston Art Review (BAR) is an independent online and print publication committed to facilitating active discourse around contemporary art in Boston.

© 2025 Boston Art Review. All rights reserved.

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Team Member

Karolina Hac

Karolina Hac
Editor

Karolina Hac is a writer and creative professional working at the intersection of art, culture, and the built environment. She has been a contributing writer at Boston Art Review since 2018, and her writing has appeared in Landscape Architecture Magazine, Amadeus Magazine, and Big Red & Shiny. She currently runs development operations at the Boston Society for Architecture as its advancement manager.

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A black and white drawing of Karolina Hac, a woman with wavy shoulder-length hair, smiling at the viewer.

By This Author

Online • Dec 31, 2024

AI or Game Show Personality? Elizabeth Withstandley’s “The State of Being Indivisible” Toys With Identity in the Digital Age

Review by Karolina Hac

Issue 13 • Nov 19, 2024

At the Carpenter Center, “Fragments of a Faith Forgotten” Attempts to Piece Together the Undefinable Life and Practice of Harry Smith

Review by Karolina Hac

Online • Aug 20, 2024

Heather McPherson Grasps at Loss, Memory, and Dreams at the Distillery Gallery

Review by Karolina Hac

Issue 12 • Jul 17, 2024

A Perch with Purpose: Jean Shin's Salvaged Trees Greet Birds and Visitors at Appleton Farms

Feature by Karolina Hac

Online • Dec 07, 2023

Caroline Bagenal’s Swimming Sculptures Explore the Healing Power of Water

Review by Karolina Hac

Online • Aug 29, 2023

Brian Smith Explores Aquatic Futures in “That Queer Fish”

Review by Karolina Hac

Online • Aug 07, 2023

A Short but Winding Road in Matthew Wong’s Paintings at MFA, Boston

Review by Karolina Hac

Online • Apr 18, 2023

In “The Familiars,” Haley Wood and Aris Moore Craft Creatures that Recall Our Younger Selves

Review by Karolina Hac

Online • Apr 01, 2023

Alejandra Cuadra and Ashley Page Present Artistic Journeys That Intertwine

Review by Karolina Hac

Issue 09 • Dec 12, 2022

B. Ingrid Olson's "History Mother, Little Sister” Invokes the Body at Carpenter Center for the Visual Arts

Review by Karolina Hac

Issue 06 • Dec 04, 2020

A Dance Between Past and Present: Chantal Zakari’s “A Work in Progress”

Review by Karolina Hac

Online • Aug 03, 2020

As Boston Cautiously Reopens, AREA CODE Art Fair Brings Art Back to the City

Review by Karolina Hac

Online • Apr 18, 2020

At Boston Center for the Arts, "FeministFuturist" Takes to the Web

Review by Karolina Hac

Online • Nov 22, 2018

Taking Away the Edges: Lavaughan Jenkins at Suffolk University Gallery

Review by Karolina Hac